The domestic drama male is the main protagonist, the upper age limit is 20 years old

The domestic drama male is the main protagonist, the upper age limit is 20 years old
Conservatively, “absolutely no drama in early middle age” is often a hot topic-Song Dandan said that no one has asked her to act from the age of 35; Yao Chen imitated that when she was confident to interpret more roles, she found that there was no drama to shoot;Liang Jing admits that the transition producer is a “curve to save the country” and hopes to find a good role for himself; Hai Qing recommends himself on behalf of the middle-aged sovereignty: “We are a group of very enthusiastic performers who do this.The middle-aged primary contradiction, or is it the real status quo prevailing in the industry?Sauna Nightnet sorted out 110 popular dramas broadcast from January 2017 to October 2019.Among them, 22 are mainly female characters (hereinafter referred to as female protagonists), and 46 are mainly male characters (hereinafter referred to as male protagonists).The main role of female protagonists is mainly in the 20-40 age group, and there are very few who can pick up the beams when they are over 40; the leading actors in the male protagonist have the opportunity to play the leading role in almost every age group, and those who are over 40The ratio is as high as 38%.  Acting as the protagonist and gradually accumulating opportunities The 22 female lead dramas involved in this statistic are mainly gradually divided according to age groups. There are 11 people in the 20-30 age group and 9 in the 30-40 age group, of which the total proportionAs high as 91%; 2 people in the 40-50 age group, accounting for 9%, are Zhou Xun in “Ruyi” and Xu Huizhen, Jiang Wenli, who plays the tavern boss in “Little Woman Under the Zhengyangmen”.No one under the age of 20 plays the leading role in the female lead drama.It can be obviously polished. At the beginning of starring in the female lead drama, the age distribution appears between 20-40 years old.The initial age is less than 20 years old, or once more than 40 years old, the chance of acting as the leading role in the female lead drama falls sharply.  It is worth mentioning that in this statistic, at least 40 or more performances starring in the female lead drama are honorable in the acting industry, and their acting skills are well recognized.  For example, Liu Tao is a frequent guest of the China TV Golden Eagle Award and the Shanghai TV Festival White Magnolia Award; Zhou Xun Film and Television Amphibious is the Best Practice Award of the Chinese Film Golden Rooster Award, Hundred Flowers Award, Golden Horse Award, Golden Statue Award, and Shanghai TV Festival White Magnolia Award.Winner; Jiang Wenli is the Golden Rooster Award, the winner of the Huabiao Award for Best Finals, and his directorial debut “We See You in the Sky” won the Best Film of Asia Newcomer Award at Shanghai International Film Festival.  The 55 main actors involved in the 46 male dramas have a fairly balanced age distribution, in stark contrast to the initial age distribution.Five persons under the age of 20 are Wang Junkai, Yi Xianqianxi, Wang Yuan, Wu Lei and Chen Feiyu, accounting for 9%; 18 persons in the 20-30 age group, including Xiao Zhan, Wang Yibo, Li Xian, Yang Yang, BaiYu et al., Accounting for 33%; 13 people in the 30-40 age group, including Lei Jiayin, Wang Kai, Hu Ge, Zhu Yilong, etc., 10 people in the 40-50 age group, including Huang Xiaoming, Pan Yueming, Liu Ye, Xia Yu,Jin Dong and others, accounting for 18%; 5 people over 50 years old, accounting for 16%.Chen Baoguo, Tang Guoqiang and other four are already 60 years old.And the heroine over 60 years old?This situation is basically impossible in the female lead drama.  For the genre, the actor chooses a wider range of 22 female protagonists and 46 male protagonists. The genre distribution also shows a penetrating difference.The possible types involved in the female lead drama are relatively relatively concentrated.Of the 22 female lead plays, there are more than 8 “legendary” script types, accounting for 36%.Including “Chuo Qiao Zhuan” starring Zhao Liying, “Know whether it should be green and fat”, “Ru Yi Zhuan” starring Zhou Xun, “Yanxi Raiders” starring Wu Jinyan, etc .; followed by 5 “city” dramas, including”Negotiating Officer” starring Yang Mi, “Beijing Women’s Illustrated Book” starring Qi Wei, etc .; 3 “Fantasy” theaters, such as “San Sheng Sanshi Shili Peach Blossom” starring Yang Mi, “Fragrant Honey Falling As Frost” starring Yang Zi.There are more than 15 possible genres covered by the 46 male dramas, and the distribution is more balanced. The difference between the main five types of substitutions is not disparate.Among them, there are 8 urban dramas, 6 fantasy dramas, 6 suspense dramas and idol dramas, and 5 legendary dramas.  There are relatively concentrated types of female explosives in “explosive models”. Legendary dramas and fantasy dramas are the home bases of female explosives in “explosive models”. The production areas of male explosives in “explosive models” are relatively scattered.In addition to the types, the types other than the quantity may also have “explosions”.For example, the most popular drama in the year of 2017, “The Name of the People,” is an alternative to “anti-corruption”. In the past three years, only the popular male lead drama has this “anti-corruption” substitution;”Bai Ye Chasing Murder” and “Unlicensed Crime” are criminal possibilities.  There are more male lead plays than female lead plays, and the replacement genre is also broader, which means that in a broad sense, male actors have greater freedom in the selection of episode types and roles.In fact, it has been the case for more than three years of popular dramas. Suspense, crime, military, anti-corruption, and adventure episodes have rarely narrated around female characters.In these possible genre episodes, in most cases, it is just the “green leaf” that accompanies it.  There is a market for female lead dramas, and new statistics are needed to show that in the popular dramas of the past three years, the number of male lead dramas has been stable, maintaining between 10-20 each year; the number of female lead dramas has fluctuated, 2017 and 2018Years are around 10, and 2019 is around 5.It is worth mentioning that the relatively high number of female protagonists broke out in 2017 and 2018, and it can even be comparable to the male protagonists of that year.In 2017, there were “San Sheng San Shi Shili Peach Blossoms”, “That Year’s Blossoms of the Moon”, “Ode to Joy 2” and “Chiao Qiao Biography”; in 2018, there were “Yan Xi Raiders”, “Ru Yi Zhuan”, “Knowing Whether You Should Know Whether It Should Be””Fat Red and Thin”, “Little Woman under the Zhengyang Gate”, “Fuyao”, “Fragrant Honey Falling into Frost” and so on.  Li Ganying, general manager of iQiyi Qixing Drama Studio and the producer of “Old Nine Gates” and “River of God”, said in an interview with Sauna Night that he did notice that many of the explosions in recent years were womenThe main episodes of the characters, “We have done platform user analysis. About 80% of the audiences are female audiences, and the acceptance of female episodes is relatively high.”” Li Kanying believes that it is necessary to truly stand in the perspective of women, the audience’s point of view to accurately select the role and carefully structure the story, so that the audience can empathize with such a female lead drama.  Wang Guangli is directing a female group drama “He doesn’t actually love you that much” starring Song Qian and others. From the perspective of four women in a modern city, the drama sees and thinks about all aspects of society.Wang Guangli told the sauna and Yewang that although we have always been committed to “women can hold half of the sky”, the female characters in traditional film and television dramas are good wives and mothers.not much.In his view, modern women have a healthy and inspiring attitude towards life, and have a profound friendship with each other. These are worthy of being explored and displayed by film and television creators.  The analysis of the drama critic “West of the Sun” pointed out that the explosion of female heroes shows that there is indeed a demand for drama viewing in the market, but the current simplification of female heroes’ genres in creation, which has followed the trend and restricted their own development.”In recent years, most of the female protagonist dramas have been adapted based on the IP of female frequency nets. There are similarities in genre, style and even story structure.”If the same path continues in the future, it will be easy for viewers to get bored.”Writing / Sauna, Ye Wang Yang Lianjie Intern Jiang Yuwei